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    Album Review: Chalk – Crystalpunk

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    In Rotation: Morgan Nagler traces her own winding musical histories

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    Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”

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Field Music share the sparkling and impressionistic “Orion From The Street”

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John Grant tears into Trump and his followers on the seething “The Only Baby”

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Indigo Sparke shares her shadowy meditation on mortality in “Everything Everything”, announces signing to Sacred Bones

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Hannah Peel delivers hypnagogic techno on “Emergence in Nature” and announces new album

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Wand’s Cory Hanson takes us on a psychedelic stroll through the city on “Angeles” and its muppet video

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Louisiana songwriter RenĂ©e Reed announces debut album with the cutting “Fast One”

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Julien Baker reckons with toxic behaviour on the thunderous “Hardline”

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Noga Erez reveals new album plans with the punchy “End of the Road”

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Smerz announce debut album and share glitch-pop title track “Believer”

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The Antlers announce new album and dive into memories of childhood summers on “Solstice”

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Recent Posts

  • Album Review: Chalk – Crystalpunk
  • Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”
  • Podcast: Meet Our Makers Episode 108: Peaches – A Mirror To Absurdity
  • Album Review: James Blake – Trying Times
  • Album Review: Avalon Emerson & the Charm – Written Into Changes
  • Home
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  • Features
    • Best of 2025
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    • Track-by-Track
  • News & Track Reviews
  • Podcasts
    • Meet Our Makers
    • Let It Beat
    • The Lyric Boys
  • Upcoming Release Calendar
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