Written amidst upheaval on a personal and national scale, the new album from Australian Sophie Payten offers a starkly beautiful reimagining of the sound she e...
Within the homogenized mass of modern pop music, few artists can claim true singularity. But, after a decade of pushing the boundaries of what pop music could ...
Kate NV’s previous album, 2018’s для FOR, was a sonic ode to her hometown of Moscow – but it was one that painted in abstracts, leaving the listener to shape a...
Russian duo Kristina Karpysheva and Alexander Letsius are 404.zero, audio-visual creators whose debut album places them firmly amongst the best ambient produce...
It’s been 10 long years since Owen Pallett left behind the fantasy world of 14th-century Spectrum that served as the backdrop of their magnum opus, Heartland. ...
The music Mike Hadreas has been making as Perfume Genius over the past 10 years has never exactly been short on feeling. One listen to his quiveringly fragile ...
Moses Sumney thrives in the in-between. The 28-year-old’s music has always defied concrete definition, and Sumney seems totally fine sinking further into the i...
Even back when he would sit in his car to record vocals for the earliest Car Seat Headrest albums, Will Toledo thought about his music in widescreen. This was ...
Just like Black midi, Shame, Famous, and the mysterious Black Country, New Road, the equally puzzling Jerskin Fendrix has arrived as yet another product of the...
A Western Circular is the first album released under the moniker Wilma Archer, but Will Archer is by no means a newcomer. Having put out several releases of bl...
