Album Review: MONO – Pilgrimage of the Soul
At the close of 2019, Japanese post-rock wonders MONO were celebrating 20 years of existence with a breath-taking...
Todd Dedman
Album Review: Moor Mother – Black Encyclopedia of the Air
So, sometimes we all just have to sit back, shut the fuck up, and listen (and read). We...
Album Review: Nadja – Luminous Rot
Berlin-based Canadian duo Aidan Baker and Leah Buckareff have been churning out their fuzzy doom shoegaze dreamsludge hybrid...
BPM’s Darkest Albums
Grab a cup of tea, hold on to your favourite My Little Pony plushie, and venture with us into the nether realms of the darkest albums according to the BPM team
Album Review: BIG | BRAVE – Vital
With pretty much every BIG | BRAVE record comes a shift in the line-up of the band, and...
Album Review: ÅRABROT – Norwegian Gothic
On Årabrot‘s ninth studio album, Norwegian Gothic, the duo of Kjetil Nernes and Karin Park clearly feel they...
Album Review: Godspeed You! Black Emperor – G_d’s Pee AT STATE’S END!
We live on a planet of increasing political polarisation, populist nationalism and an emerging acceptance of ‘othering’ based...
Album Review: LIT. MAJOR – Fiction
Connecticut’s LIT. MAJOR writes sadcore bedroom folk for introverts. The minimalist folk instrumentation, vibrato-heavy vocals and self-deprecating, self-doubting...
DOOMED: Dwelling within the Discography of Dumile – The Man, The Monster & The Master
It’s hard to accept that DOOM is gone. It simply doesn’t feel his time has passed, and given...
Album Review: Blanck Mass – In Ferneaux
In a recent interview with BPM’s Jasper Willems, Benjamin John Power said that he didn’t want In Ferneaux,...
