"I'm going to read you the Universal Declaration of Human Rights." As far as opening lines on albums go, it's safe to say that this probably isn't the mos...
Exactly the kind of band to bring the curtain down on their former selves in a very public fashion – as they did at the end of the touring cycle for Eternity, ...
Immediately upon pressing play, it’s clear that Capricorn is not your average album from a well-known singer-songwriter. Trevor Powers used to release dreamy, ...
Daniel Blumberg is a typical example of East London’s quirky, shape-shifting (and often brilliant) set of creatives. While we hear so much about how they are t...
The cover art for Sucker’s Lunch, the third album from Oakland singer-songwriter and producer Madeline Kenney, shows the performer surrounded by a delectable a...
The children’s choir is somewhat of a novelty in indie rock. When it does appear, it’s usually to add an embellishment or create a childlike affectation, emplo...
A Hero’s Death is Fontaines D.C.’s followup to last year’s Dogrel, one of the best post-punk debuts in recent memory, but it feels like they want to shake off ...
Some say honest beauty comes from pain. Although that is obviously not always true, some of the most stunning works of art ever created have been birthed ...
Jessy Lanza’s three albums have all been sets of tightly-written and pristinely-produced pop songs, compacted into 40 minutes – but their slightness belies the...
