The cover art for Sucker’s Lunch, the third album from Oakland singer-songwriter and producer Madeline Kenney, shows the performer surrounded by a delectable a...
The children’s choir is somewhat of a novelty in indie rock. When it does appear, it’s usually to add an embellishment or create a childlike affectation, emplo...
A Hero’s Death is Fontaines D.C.’s followup to last year’s Dogrel, one of the best post-punk debuts in recent memory, but it feels like they want to shake off ...
Some say honest beauty comes from pain. Although that is obviously not always true, some of the most stunning works of art ever created have been birthed ...
Jessy Lanza’s three albums have all been sets of tightly-written and pristinely-produced pop songs, compacted into 40 minutes – but their slightness belies the...
From the very first seconds of Courtney Marie Andrews’ new album, Old Flowers, you get a perfect glimpse of the mood and style of the album. Soft, swaying coun...
Skullcrusher is the project of Helen Ballentine, an LA-based art student turned singer-songwriter. Her self-titled EP—the first release of her brand-new career...
See the young blonde woman, wearing a nightgown of white lace. Wistfully, she strolls through a misty meadow. The grass still wet, morning fog obscures the dis...
Shirley Collins is 85 years old. The fact that she is still recording is remarkable enough on its own, and even more so when taking into account that she took ...
