Hailing from Taipei, Taiwan, Mong Tong 夢東 call themselves “a sample-based psychedelic trio”. The sampling and vocal duties are attributed to “仝,” while human s...
Written amidst upheaval on a personal and national scale, the new album from Australian Sophie Payten offers a starkly beautiful reimagining of the sound she e...
I wasn't even thirty seconds into album highlight "People Talk Too Much" when I fell in love with Bananagun. As soon as the single found its way into my i...
Within the homogenized mass of modern pop music, few artists can claim true singularity. But, after a decade of pushing the boundaries of what pop music could ...
Jessie Ware’s music career has had its share of ups and downs. Her debut album was a dance-pop wonder that catapulted her to the forefront of the scene, but it...
Within the first 30 seconds of Haim’s third album Women in Music Pt. III it is evident they are back to their effortlessly cool best. The work Danielle Haim di...
On her fourth album, English singer-songwriter Nadine Shah is tired of your shit. Well, she’s tired of the world’s shit – the stuff that we all have to deal wi...
Owen, the solo project of emo's treasured Mike Kinsella, has always existed as a dynamic diary with weathered pages, ready to reveal what he has been up to and...
Jockstrap are a pair of young Londoners, Georgia Ellery and Taylor Skye, whose 2018 debut EP Love is the Key to the City was an impressive display of genre-ble...
It’s been a minute since we’ve heard anything from The Courtneys. The mid-2010s lo-fi surf rock band dropped two very good LPs, with a decent-sized gap between...
