On Yves Tumor’s last full-length, 2018’s Safe in the Hands of Love, the artist revealed the enormous breadth of their musical proclivities, meaning that no sim...
Nandi Rose refuses to be pinned down. It may feel like a clumsy metaphor for an album that largely deals with isolation, loneliness, and sagging relationships ...
Ever since arriving as leader of Cymbals Eat Guitars in 2009 with Why There Are Mountains, Joe D’Agostino has seemed like a person who’s simultaneously awed an...
Given how distressingly personal and sobering his work has become, it is more difficult than ever to refer to the lanky red-headed mastermind of depressive lo-...
Communication is at the core of Fountain, the exquisite and preternatural debut album from Berlin-based American vocalist Lyra Pramuk. This may seem an odd sta...
Discouragement is something that has unfortunately had a regular presence in James Cooley’s musical career. Cooley – the one man behind the Mesita moniker – has...
For Daniel Lopatin, the process of making music has never been one solely of creation, but also recontextualization. His debut release as Oneohtrix Poin...
Combining existing sounds in different ways can be nearly as exciting as finding new ones. This isn’t lost on California sister act Haim (HIGH-yim). Their sound...
There is a sense of involuntary awe when exploring the peaks and shadowy recesses of Bill Callahan’s music. In fact, it’s this idea of the personal discovery of...
Factory Floor’s debut album has been a long time in the making. The band stretches back as far as 2005, although with a rather different lineup. The current inc...
