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    Album Review: Robbie Williams – BRITPOP

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    His best since Scary Monsters: Blackstar

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    Indonesian pop group NO NA comes out swinging with the stomping “Work” and its braggadocious, addictive video

    Snail Mail returns with first new album in five years, shares lead single “Dead End”

    Tanya Tagaq returns via the righteous Industrial terror of “Foxtrot”, announces new album

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    Podcast: Meet Our Makers Episode 106: Animal Collective – Twenty Years of Feels

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More Latest Tracks

Big Thief’s Adrianne Lenker announces not one, but two upcoming records with new song “anything”

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Pet Shimmers announce second album of the year with the crunchy synth confusion of “Imber”

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Hen Ogledd

Hen Ogledd ponder space and time through the eyes of an ageing entertainer on “Crimson Star”

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Actress

Actress announces new album, shares Sampha featuring single “Walking Flames”

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DIY dark pop prankster Luna Shadows delivers new single “The Nineties” and its arcade-tastic video

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Kevin Morby announces new album, shares new song and video “Campfire”, plans virtual tour

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Anjimile

Anjimile wrenches out another tear about identity on “In Your Eyes”

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Total Revenge cruises off into a lo-fi sunset on “Jeep Cherokee”

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Vienna producer Wandl lulls us into a narcotized bliss on “Altbautraum”

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MYSIE digs deep into her feelings on “Bones”

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Recent Posts

  • Album Review: Robbie Williams – BRITPOP
  • Album Review: The Soft Pink Truth – Can Such Delightful Times Go On Forever?
  • Album Review: CHUU – XO, My Cyberlove
  • Album Review: PVA – No More Like This
  • Indonesian pop group NO NA comes out swinging with the stomping “Work” and its braggadocious, addictive video
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