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    Album Review: Spencer Krug – Same Fangs

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    His best since Scary Monsters: Let’s Dance

    BPM Curates: April 2026

    Track-By-Track: Miss Grit offers shelter within the architecture of their new album, Under My Umbrella

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    Ian Cobiella finds a new tempo for heartbreak in “Have I Been Good To You”

    Woody Guthrie’s unfinished business finds a new voice in Crys Matthews

    With “Process of Individuation”, Mighty Joe Belson fits Carl Jung’s concept of self into a minimalist music setting

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    Podcast: Meet Our Makers Episode 109: Gay Meat – All About My Mother

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Lime Garden launch the infectiously unsettling “Pulp”

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Lorde lets paranoia creep into her peace on “Stoned at the Nail Salon”

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Promising punk rockers Cuffed Up sign with Royal Mountain Records, celebrate with new single “Canaries”

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Deerhoof take on the prison industrial complex in irrepressible new single “Department of Corrections”, ready new album

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Indigo De Souza champions community on the sparkling “Hold U”

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Conway the Machine reveals tracklist for long awaited Shady Records album, God Don’t Make Mistakes

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Flossing serves up a cocktail of modern paranoia in the pulsating “TRAP”

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IDER are unravelled by their infatuation on the powerfully vulnerable “obsessed”

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Baltimore noise/drone duo The Furniture share foreboding, cerebral new single “The Sloth”

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YVETTE push through modern coldness on the galloping “For a Moment”

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  • Album Review: Spencer Krug – Same Fangs
  • Album Review: Isaiah Rashad – It’s Been Awful
  • Album Review: Thaiboy Digital – Paradise
  • Album Review: The Lemon Twigs – Look Out For Your Mind!
  • Album Review: Olof Dreijer – Loud Bloom
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