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    His best since Scary Monsters: Let’s Dance

    BPM Curates: April 2026

    Track-By-Track: Miss Grit offers shelter within the architecture of their new album, Under My Umbrella

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    Ian Cobiella finds a new tempo for heartbreak in “Have I Been Good To You”

    Woody Guthrie’s unfinished business finds a new voice in Crys Matthews

    With “Process of Individuation”, Mighty Joe Belson fits Carl Jung’s concept of self into a minimalist music setting

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    Podcast: Meet Our Makers Episode 109: Gay Meat – All About My Mother

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Japanese musician Naoko Sakata shares new single and video “Improvisation 2” from solo piano project

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Vocal ambient artist Emma Houton announces debut album, The Bath, shares lead single “Watershed”

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Squid animate our primal instincts and indecisive nature on the live wire “Paddling”

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Leeds teens L’objectif expose their private thoughts on rampant debut single “Drive In Mind”

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Recent Posts

  • Album Review: Spencer Krug – Same Fangs
  • Album Review: Isaiah Rashad – It’s Been Awful
  • Album Review: Thaiboy Digital – Paradise
  • Album Review: The Lemon Twigs – Look Out For Your Mind!
  • Album Review: Olof Dreijer – Loud Bloom
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