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    Album Review: Bon Iver – VOLUMES: ONE “SELECTIONS FROM MUSIC CONCERTS 2019-2023 BON IVER 6 PIECE BAND”

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    BPM Curates: March 2026

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    Beth Orton returns with elemental poetry on “The Ground Above”

    Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”

    Iceage deliver a jangly ode to fatal love on “Star”

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    Podcast: Meet Our Makers Episode 108: Peaches – A Mirror To Absurdity

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More Latest Tracks

A simple dinner reservation turns prickly on Annie-Claude Deschênes’ new track “PHONES”

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Portishead’s Beth Gibbons strides through the spare and spacey “Floating on a Feeling”, announces debut solo album

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Caroline Polachek duets with Weyes Blood on new version of “Butterfly Net”

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claire rousay gets raw with the slow motion, wounded pop of “head”, announces new album

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Mannequin Pussy fantasize about destructive young love on “Nothing Like”

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Kita Alexander and Laurel team up to delight with “All Night”

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TWICE dance through thick and thin on their anthem to friendship (and fandom), “I Got You”

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LINNEA overcomes perfectionism on “Finish Line”

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Burial releases new tracks “Dreamfear” and “Boy Sent From Above”

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Kacy Hill feels the fatigue of a flagging relationship on the wearily defiant “Listen to You”

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Recent Posts

  • Album Review: Bon Iver – VOLUMES: ONE “SELECTIONS FROM MUSIC CONCERTS 2019-2023 BON IVER 6 PIECE BAND”
  • Album Review: Fcukers – Ö
  • BPM Curates: March 2026
  • Album Review: Spencer Cullum – Spencer Cullum’s Coin Collection 3
  • Beth Orton returns with elemental poetry on “The Ground Above”
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