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    Album Review: Avalon Emerson & the Charm – Written Into Changes

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    In Rotation: Morgan Nagler traces her own winding musical histories

    BPM Curates: February 2026

    Track-By-Track: TVAM tells us about his danceable broken dream of a record, Ruins

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    Iceage deliver a jangly ode to fatal love on “Star”

    Mouth Ulcers battle through mental struggle on “Prevail”

    talker battles sand and uncertainty on “Gold Rush”

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    Podcast: Meet Our Makers Episode 107: Asher White – Jessica Pratt by Asher White

    Podcast: Meet Our Makers Episode 106: Animal Collective – Twenty Years of Feels

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More Latest Tracks

Tim Koh shares the psychedelic protest smash “Rational Anthem” and announces debut album

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Emma Swift covers Bob Dylan’s “Queen Jane Approximately” from her tribute album Blonde On The Tracks

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New Jersey power punks Teenage Halloween announce debut album with the thunderous “Stationary”

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anjimile

Anjimile makes his name known with the stunning “Maker”

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Wye Oak unveil “AEIOU” from new EP recorded with Brooklyn Youth Chorus

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Emmy The Great announces Hong Kong-inspired album and shares “Dandelions/Liminal”

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Bill Callahan describes idle peace on “Another Song”

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Pynch delve into the 2020 psyche with “Somebody Else”

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Emily Henry

Joey Joesph’s self-titled album is a retro-fueled delight (BPM Premiere)

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Sufjan Stevens shares new 12-minute protest song “America”

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  • Album Review: Avalon Emerson & the Charm – Written Into Changes
  • Album Review: Pan•American – Fly The Ocean In A Silver Plane
  • Album Review: Hemi Hemingway – Wings of Desire
  • Album Review: The Orielles – Only You Left
  • Album Review: The Notwist – News From Planet Zombie
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