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    His best since Scary Monsters: Let’s Dance

    BPM Curates: April 2026

    Track-By-Track: Miss Grit offers shelter within the architecture of their new album, Under My Umbrella

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    Ian Cobiella finds a new tempo for heartbreak in “Have I Been Good To You”

    Woody Guthrie’s unfinished business finds a new voice in Crys Matthews

    With “Process of Individuation”, Mighty Joe Belson fits Carl Jung’s concept of self into a minimalist music setting

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    Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole

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Logic1000 unleashes the dancefloor primer “Medium”

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Field Music share the sparkling and impressionistic “Orion From The Street”

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John Grant tears into Trump and his followers on the seething “The Only Baby”

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Indigo Sparke shares her shadowy meditation on mortality in “Everything Everything”, announces signing to Sacred Bones

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Hannah Peel delivers hypnagogic techno on “Emergence in Nature” and announces new album

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Wand’s Cory Hanson takes us on a psychedelic stroll through the city on “Angeles” and its muppet video

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Louisiana songwriter Renée Reed announces debut album with the cutting “Fast One”

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Julien Baker reckons with toxic behaviour on the thunderous “Hardline”

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Noga Erez reveals new album plans with the punchy “End of the Road”

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The Antlers announce new album and dive into memories of childhood summers on “Solstice”

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  • Album Review: Haiku Salut & Meg Morley – The Lost Score
  • Album Review: Dua Saleh – Of Earth & Wires
  • Album Review: 6LACK – Love Is The New Gangsta
  • Album Review: Kevin Morby – Little Wide Open
  • Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole
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