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    In Rotation: Morgan Nagler traces her own winding musical histories

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    Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”

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Andy Shauf is on a drunken vacation in the balmy “Spanish on the Beach”

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Bleach Lab grasp for mental stability on the run-down beauty “Talk It Out”, announce new EP

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Anz teams with George Riley for the flirtatious and fluorescent “You Could Be”, announces ambitious new project

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Gabriel Sayer adds funk to his humour on the irresistible “Youngest Child”, announces debut album

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Japanese Breakfast invites us to a glimmering world on “Glider”, from the Sable OST

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Hand Habits pulls their gaze outwards on the glorious “No Difference”

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Experimental producer and percussionist FROST creates minuscule worlds on “Clavè C” and “Clavè D”

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Kendrick Lamar practically melts his new collaboration with Baby Keem, “Family Ties”

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Shit gets crazy (literally) on Stice’s new song “Touch the Cloth”

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Spirits Having Fun’s natural chemistry dazzles on the jazz-rock gem “See A Sky”

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Recent Posts

  • Album Review: Snail Mail – Ricochet
  • Album Review: Neurosis – An Undying Love For A Burning World
  • Album Review: Chalk – Crystalpunk
  • Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”
  • Podcast: Meet Our Makers Episode 108: Peaches – A Mirror To Absurdity
  • Home
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    • Album Reviews
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  • Features
    • Best of 2025
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    • On Deck
    • Essay
    • Track-by-Track
  • News & Track Reviews
  • Podcasts
    • Meet Our Makers
    • Let It Beat
    • The Lyric Boys
  • Upcoming Release Calendar
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