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    Album Review: Dua Saleh – Of Earth & Wires

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    His best since Scary Monsters: Let’s Dance

    BPM Curates: April 2026

    Track-By-Track: Miss Grit offers shelter within the architecture of their new album, Under My Umbrella

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    Ian Cobiella finds a new tempo for heartbreak in “Have I Been Good To You”

    Woody Guthrie’s unfinished business finds a new voice in Crys Matthews

    With “Process of Individuation”, Mighty Joe Belson fits Carl Jung’s concept of self into a minimalist music setting

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    Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole

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Everything Everything launch psychological new album with “Arch Enemy”

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Re.decay enlists ADH, Mawcom X, and Sedric Perry to explore funk-soaked hip-hop in their “Sun in the Morning” video (BPM Premiere)

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Australian R&B newcomer Stevan shares new single “On My Mind”, announces debut mixtape

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slowthai teams up with Kenny Beats for “MAGIC”

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Soft Palms announce debut album with the squelching synth-gaze gem “Rainbows”

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Little Kid evoke classic folk storytellers on “Losing”, from their new album

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Desire immerse us in their glistening “Liquid Dreams”

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Caswell yearns to lose herself in the provocative and alluring “Distraction”

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Meridian Brothers combine modern electronics with Columbian traditions on “Puya del Empresario”

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Lazy Day surge with power on “All The Time”

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Recent Posts

  • Album Review: Dua Saleh – Of Earth & Wires
  • Album Review: 6LACK – Love Is The New Gangsta
  • Album Review: Kevin Morby – Little Wide Open
  • Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole
  • Album Review: Spencer Krug – Same Fangs
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