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    Album Review: Haiku Salut & Meg Morley – The Lost Score

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    His best since Scary Monsters: Let’s Dance

    BPM Curates: April 2026

    Track-By-Track: Miss Grit offers shelter within the architecture of their new album, Under My Umbrella

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    Ian Cobiella finds a new tempo for heartbreak in “Have I Been Good To You”

    Woody Guthrie’s unfinished business finds a new voice in Crys Matthews

    With “Process of Individuation”, Mighty Joe Belson fits Carl Jung’s concept of self into a minimalist music setting

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    Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole

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Quakers announce new album, share “Double Jointed” with The Koreatown Oddity

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Adrianne Lenker pays adoring tribute to a beautiful, untameable love on “dragon eyes”

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Touché Amoré face up to their anxieties in “Reminders” and share video full of guest stars and their dogs

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Midnight Sister return with the breezy dream “Wednesday Baby”

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Pharaoh Overlord smash together metal vocals and Italo electronics on “Without Song All Will Perish”, from their new album

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Keeley Forsyth is deep in isolation on “Photograph”, from her new EP

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Westside Gunn reveals tracklist for highly anticipated Shady Records debut, Who Made the Sunshine, finally out this Friday!

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Coach Party beat back their fatalistic tendencies on the blustering “Can’t Talk, Won’t”

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NOTHING groove through gusts of guitar on “Bernie Sanders”

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Recent Posts

  • Album Review: Haiku Salut & Meg Morley – The Lost Score
  • Album Review: Dua Saleh – Of Earth & Wires
  • Album Review: 6LACK – Love Is The New Gangsta
  • Album Review: Kevin Morby – Little Wide Open
  • Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole
  • Home
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