BPM Team’s Personal 2022 Round-ups
Every year we throw the doors open to the BPM team to give them space to write or...
Keeley Forsyth
On Man illustrates a toxic harmony on “United (Why Cant We Say Enough)”
London-based producer On Man appears to be very comfortable snaking between absolutes, either converting harsh noise into something...
Album Review: Keeley Forsyth – Limbs
Oldham actor and performer Keeley Forsyth worked on music in private for many years before she eventually found...
Keeley Forsyth floats in mental purgatory on the haunting “Wash”
Keeley Forsyth is releasing her new album Limbs next Friday, February 25, and following on from “Bring Me...
Keeley Forsyth builds strength from isolation in the powerful “I Stand Alone”
Keeley Forsyth‘s upcoming album Limbs made it onto our Most Anticipated Releases of 2022 based on the strength...
BPM’s Most Anticipated Releases of 2022
Quarantine days notwithstanding, 2022 is expected to be a rager. With the pandemic slowing down, and artists hitting...
Keeley Forsyth plots a journey of darkness on mystifying “Bring Me Water”, announces new album
After releasing both her debut album Debris and her Photograph EP last year, Keeley Forsyth has announced her...
BPM Team’s Personal 2020 Round-ups
It’s been a year of many endings, but Beats Per Minute’s is one of re-birth. For those many...
BPM’s Top 50 Albums of 2020
Well. Well, this was a year. When we got back together, a mixture of old school BPMers and...
Album Review: Keeley Forsyth – Photograph EP
It’s simple to assign adjectives to Keeley Forsyth’s sound. It’s stark, gothic, minimal, and ghostlike. But, anyone who...
