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    Album Review: Olof Dreijer – Loud Bloom

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    His best since Scary Monsters: Let’s Dance

    BPM Curates: April 2026

    Track-By-Track: Miss Grit offers shelter within the architecture of their new album, Under My Umbrella

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    Ian Cobiella finds a new tempo for heartbreak in “Have I Been Good To You”

    Woody Guthrie’s unfinished business finds a new voice in Crys Matthews

    With “Process of Individuation”, Mighty Joe Belson fits Carl Jung’s concept of self into a minimalist music setting

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    Podcast: Meet Our Makers Episode 109: Gay Meat – All About My Mother

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Clara Mann embodies vulnerability on plaintive debut single “I Didn’t Know You Were Leaving Today”

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Polish-American rapper Berry Galazka pulls no punches on her fiery debut single “Man Can’t Hang”

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Daniel Knox rakes the embers of regret on the gorgeous “Fall Apart”

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Phoebe Bridgers shares cover of Merle Haggard’s “If We Make It Through December” in aid of Downtown Women’s Center

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The Lounge Society consort with the darkness on the groovy post-punk of “Burn The Heather”

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The Psychotic Monks pound out their frustrations and fears on the pyromaniac “Isolation”

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Harmony Byrne shares bracing new single “The Good Days & The Bad Days”

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Overcoats announce The Fight (Remixed), A re-imagining of their sophomore album, release Porches’ remix of “Apathetic Boys

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Recent Posts

  • Album Review: Olof Dreijer – Loud Bloom
  • His best since Scary Monsters: Let’s Dance
  • Podcast: Meet Our Makers Episode 109: Gay Meat – All About My Mother
  • Ian Cobiella finds a new tempo for heartbreak in “Have I Been Good To You”
  • BPM Curates: April 2026
  • Home
  • Reviews
    • Album Reviews
    • Recommended
    • Second Look
    • Live Reviews
    • Book Reviews
  • Features
    • Best of 2025
    • BPM Curates Playlists
    • Cassette Culture
    • Interviews
    • Lists
    • On Deck
    • Essay
    • Track-by-Track
  • News & Track Reviews
  • Podcasts
    • Meet Our Makers
    • Let It Beat
    • The Lyric Boys
  • Upcoming Release Calendar
  • Contact
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