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    Album Review: Billy Strings – So Much For Goodbyes

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    BPM Curates: August 2026

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    Big Ears Festival announces 2027 lineup: Thundercat, Weyes Blood, Natalie Merchant, Norah Jones, Jeff Tweedy, Oneohtrix Point Never

    Valerie June collaborates with Sam Amidon on cover of blues standard, “Trouble in Mind”

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    Podcast: Meet Our Makers Episode 113: Joan As Police Woman – We’re Real Life

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Torres returns with purpose on “Don’t Go Puttin Wishes In My Head”, from her new album

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The Goon Sax strive for self-definition on “In The Stone”, announce album

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King Ropes rage against idiocy and inaction on the caustic “Halfway Did” (BPM Premiere)

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Spellling transports us back to her uneasy adolescence on the dramatic “Boys At School”

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Shannon Lay encourages us to trust our instincts on the quietly dazzling “Rare To Wake”

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Sleater-Kinney preach solidarity in tough times on “Worry With You”, announce new album

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Max Bloom drifts in a loved-up lucid dream on “Palindromes”

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Russian ambient artist Perila takes us “Fallin Into Space” on her tactile new single, announces debut album

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West African art-folk band The Narcotix announce debut EP with the hypnotic “John/Joseph”

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Jodi lays down their commitment to their friends in the intimate queer country song “Softy”

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Recent Posts

  • Album Review: Billy Strings – So Much For Goodbyes
  • Album Review: Formal Sppeedwear – Punch Card
  • Album Review: Gnoomes – Losey
  • Big Ears Festival announces 2027 lineup: Thundercat, Weyes Blood, Natalie Merchant, Norah Jones, Jeff Tweedy, Oneohtrix Point Never
  • Album Review: Sleep – Hempispheres
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