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    Album Review: Bon Iver – VOLUMES: ONE “SELECTIONS FROM MUSIC CONCERTS 2019-2023 BON IVER 6 PIECE BAND”

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    BPM Curates: March 2026

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    Beth Orton returns with elemental poetry on “The Ground Above”

    Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”

    Iceage deliver a jangly ode to fatal love on “Star”

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Phoebe Bridgers drifts through the glacial melancholy of “Sidelines”

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Alicia Breton Ferrer & Euroboy exchange self-care mantras on “Bright”

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CLAY simmers across the rhythmic, controlled chaos of “Numb”

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Naima Bock finds momentary peace on “Giant Palm”, the title track from her debut album

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Ailsa Tully orbits her sense of self on the tactile “Mothering”

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Léa Sen converses with her future self on stunning single “I Feel Like I’m Blue”

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Built To Spill return with “Gonna Lose” off their Sub Pop-released upcoming LP

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Wyldest beautifully augments her sound on the contemplative “The Best Is Yet To Come”

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Interpol enter a dream state on “Something Changed” and its video

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Recent Posts

  • Album Review: Bon Iver – VOLUMES: ONE “SELECTIONS FROM MUSIC CONCERTS 2019-2023 BON IVER 6 PIECE BAND”
  • Album Review: Fcukers – Ö
  • BPM Curates: March 2026
  • Album Review: Spencer Cullum – Spencer Cullum’s Coin Collection 3
  • Beth Orton returns with elemental poetry on “The Ground Above”
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