Track-By-Track: Miss Grit offers shelter within the architecture of their new album, Under My Umbrella
With “Process of Individuation”, Mighty Joe Belson fits Carl Jung’s concept of self into a minimalist music setting
Bonjour Motherfuckers #19 – BPM edition Ana Leorne·December 3, 2021It’s the most wonderful time of the year—and by that, I mean can we please have this nightmare...Bonjour MotherfuckersFeatures
Track-By-Track: Mandy, Indiana usher us through their pulverising … EP Rob Hakimian·December 1, 2021It’s rare for a band to emerge with such clarity of purpose and sound as Mandy, Indiana did...FeaturesTrack-by-Track
Cassette Culture: November 2021 Joshua Pickard·November 30, 2021Cassette Culture is a monthly column dedicated to exploring the various artists that inhabit the expansive cassette market. Drawing...Cassette CultureFeatures
Track-by-Track: Chloe Rodgers breaks down her diverse, emotive Back To The Quay EP Chase McMullen·November 29, 2021Chloe Rodgers deals in a strain of alt-pop so immediate that it can often feel she’s playing in...FeaturesTrack-by-Track
On Deck: IMOGEN picks five songs that convinced her to be a songwriter Rob Hakimian·November 22, 2021Newcastle songwriter IMOGEN named her recent EP Bloodbag, a succinct encapsulation of the visceral, vivid and bodily way...FeaturesOn Deck
Young Dolph Was Memphis Chase McMullen and Ethan Reis·November 18, 2021Where to even begin. Young Dolph was a king in his city, never expending too much energy in...EssayFeatures
Interview: Hana Vu digs into the process and lyricism of her new album Public Storage Chase McMullen·November 16, 2021LA-based songwriter Hana Vu may have been making music since she was in high school, but in many ways,...FeaturesInterview
On Deck: LOELASH – The Italian producer tells us about the albums that informed his debut album Fantasia Chase McMullen·November 15, 2021London via Italy producer and multi-instrumentalist LOELASH has been making his name via sun-drenched, wistfully delightful electronica, with...FeaturesOn Deck
Still brown after all these years: Ween’s 12 Golden Country Greats turns 25 Joshua Pickard·November 11, 2021If there’s one thing we know about Ween, it’s that they don’t give a single solitary fuck about...EssayFeatures
Ought 2012–2021: Why the defunct Montreal four-piece’s volatile optimism is timeless and vital Jasper WIllems·November 9, 2021Today, more than any other day, I’m excited to write about Ought. That this excitement comes in the...EssayFeatures
