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    Live Review: Swans at Festaal Kreuzberg, Berlin – 27 November 2025

    Album Review: Slime City – National Record of Achievement

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    BPM’s Top 50 Songs of 2025

    BPM Curates: November 2025

    Track-By-Track: Hilary Woods takes us through the wistful, densely colored world of her latest album, Night CRIÚ

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    Desperate Hauswives salute a rebel on “The Ballad of Edie Britt”

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    Podcast: Meet Our Makers Episode 102: Austra – A Particular Grief

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Sheherazaad seeks humanity within the urban sprawl on “Mashoor”

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Silvana Estrada cuts through the confusion with the blissful “Qué Problema”

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Any Other serves healthy-ish anger on “Awful Thread”, announces new album

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David Hobbes reflects on broken love and life’s unending momentum on “Fields of Blue” [BPM Premiere]

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J Duran shares a Lennon-style confessional on “Can’t Get High Enough”

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Imogen Clark leaves Sydney in style on “If I Want In”

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Ships Have Sailed urge us not to “Disappear” on piano-led new single

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Nicotine Dolls embrace the fantasy on “Real House”

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Julia Bhatt releases a gorgeous sigh in “For The World”

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BPM’s Top 50 Songs of 2025

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Recent Posts

  • BPM’s Top 50 Songs of 2025
  • Podcast: Meet Our Makers Episode 102: Austra – A Particular Grief
  • Desperate Hauswives salute a rebel on “The Ballad of Edie Britt”
  • Live Review: Swans at Festaal Kreuzberg, Berlin – 27 November 2025
  • Album Review: Slime City – National Record of Achievement
  • Home
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  • Features
    • Best of 2025
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  • News & Track Reviews
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    • Meet Our Makers
    • Let It Beat
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