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    Album Review: Fcukers – Ö

    Album Review: Spencer Cullum – Spencer Cullum’s Coin Collection 3

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    BPM Curates: March 2026

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    Beth Orton returns with elemental poetry on “The Ground Above”

    Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”

    Iceage deliver a jangly ode to fatal love on “Star”

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    Podcast: Meet Our Makers Episode 108: Peaches – A Mirror To Absurdity

    Podcast: Meet Our Makers Episode 107: Asher White – Jessica Pratt by Asher White

    Podcast: Meet Our Makers Episode 106: Animal Collective – Twenty Years of Feels

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Cate Selna is timeless and triumphant on “melt”

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Sophia James is astonishing on “Heat Death (The End Of Everything)”

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Crack Cloud are renewed on the expansive “Blue Kite”, announce new album on Jagjaguwar

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Luna Li dissociates on the harp-inflected bop “Confusion Song”, announces new album

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Cassandra Jenkins leans on the beauty all around in “Delphinium Blue”

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Worthitpurchase’s “Heaven on Earth” finds joy in misinterpretation

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Megan Thee Stallion perches atop “BOA” and its gloriously silly video

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Minke is masterful on “Happier Than Me”

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Amsterdam janglers Naive Set return with double single “No Relation” / “Moving Target”

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Recent Posts

  • Album Review: Fcukers – Ö
  • BPM Curates: March 2026
  • Album Review: Spencer Cullum – Spencer Cullum’s Coin Collection 3
  • Beth Orton returns with elemental poetry on “The Ground Above”
  • Album Review: Irreversible Entanglements – Future Present Past
  • Home
  • Reviews
    • Album Reviews
    • Recommended
    • Second Look
    • Live Reviews
    • Book Reviews
  • Features
    • Best of 2025
    • BPM Curates Playlists
    • Cassette Culture
    • Interviews
    • Lists
    • On Deck
    • Essay
    • Track-by-Track
  • News & Track Reviews
  • Podcasts
    • Meet Our Makers
    • Let It Beat
    • The Lyric Boys
  • Upcoming Release Calendar
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