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    Album Review: Fcukers – Ö

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    BPM Curates: March 2026

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    Beth Orton returns with elemental poetry on “The Ground Above”

    Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”

    Iceage deliver a jangly ode to fatal love on “Star”

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    Podcast: Meet Our Makers Episode 108: Peaches – A Mirror To Absurdity

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More Latest Tracks

DIY dark pop prankster Luna Shadows delivers new single “The Nineties” and its arcade-tastic video

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Kevin Morby announces new album, shares new song and video “Campfire”, plans virtual tour

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Anjimile wrenches out another tear about identity on “In Your Eyes”

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Total Revenge cruises off into a lo-fi sunset on “Jeep Cherokee”

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Vienna producer Wandl lulls us into a narcotized bliss on “Altbautraum”

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MYSIE digs deep into her feelings on “Bones”

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BLACKPINK release Selena Gomez collaboration “Ice Cream” along with its gleeful video

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Skittish attempt to find solace in the aftermath of love through the folk-pop honesty of “Intro (Vert)” (BPM Premiere)

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Lou Hayter is full of swagger on the loved-up retro-pop single “My Baby Just Cares For Me”

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Tim Heidecker and Weyes Blood make the endless void sound sweet on “Nothing”

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Recent Posts

  • Album Review: Fcukers – Ö
  • BPM Curates: March 2026
  • Album Review: Spencer Cullum – Spencer Cullum’s Coin Collection 3
  • Beth Orton returns with elemental poetry on “The Ground Above”
  • Album Review: Irreversible Entanglements – Future Present Past
  • Home
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    • Album Reviews
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  • Features
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    • Essay
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  • News & Track Reviews
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    • Meet Our Makers
    • Let It Beat
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