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    Album Review: Bon Iver – VOLUMES: ONE “SELECTIONS FROM MUSIC CONCERTS 2019-2023 BON IVER 6 PIECE BAND”

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    BPM Curates: March 2026

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    Beth Orton returns with elemental poetry on “The Ground Above”

    Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”

    Iceage deliver a jangly ode to fatal love on “Star”

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    Podcast: Meet Our Makers Episode 108: Peaches – A Mirror To Absurdity

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Viji shares the empathetic grunge-light bop “Unfair” and announces debut EP

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Rosehip Teahouse deliver the beautiful anxiety attack “A Million Times”

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Luna Shadows delivers relatable mood anthem with “Battery Life” and announces debut album

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Sinai Vessel challenges himself to grow on “Shameplant”

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Squirrel Flower unveils elegiac cover of Liz Phair’s “Explain It To Me”

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Luke Titus shares the expressive synth-pop jam “I’ll Be Here”

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Tamar Aphek delivers slinky noir single “Show Me Your Pretty Side” and announces album

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Soho Rezanejad unveils her emotional core with the delicate “Half The Shore”

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Julia Jacklin returns with “to Perth, before the border closes” and “CRY”

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Blanketman grasp for the lost British summer on the ripping “Beach Body”

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Recent Posts

  • Album Review: Bon Iver – VOLUMES: ONE “SELECTIONS FROM MUSIC CONCERTS 2019-2023 BON IVER 6 PIECE BAND”
  • Album Review: Fcukers – Ö
  • BPM Curates: March 2026
  • Album Review: Spencer Cullum – Spencer Cullum’s Coin Collection 3
  • Beth Orton returns with elemental poetry on “The Ground Above”
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