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    Album Review: Billy Strings – So Much For Goodbyes

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    BPM Curates: August 2026

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    Big Ears Festival announces 2027 lineup: Thundercat, Weyes Blood, Natalie Merchant, Norah Jones, Jeff Tweedy, Oneohtrix Point Never

    Valerie June collaborates with Sam Amidon on cover of blues standard, “Trouble in Mind”

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    Podcast: Meet Our Makers Episode 113: Joan As Police Woman – We’re Real Life

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More Latest Tracks

XVOTO fight their desires on the neon R&B track “Friends”, announce debut EP

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Madi Diaz puts her unhealthy habits in the spotlight on “Nervous”

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Armlock relive the fiery breakdown of a relationship on the subtly simmering “Turf War”

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Zoee tries to cut through her lover’s coldness on the sci-fi tinged “Host”

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Jazz chameleon Joe Armon-Jones launches label and shares “Pray” with members of black midi and Nubiyan Twist

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Welsh songwriter 299 lets his melancholy shine on the lo-fi Americana beauty “A Short Goodbye” (BPM Premiere)

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Laura Marling and Mike Lindsay’s LUMP project to release new music this week

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BABii investigates a push-pull relationship on the sensorial and smashing “DRiiFT”

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ur Monarch dreams of throwing away trash people on her colourful debut single “human garbage disposal plant (scooter)”

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Swedish newcomer Love Truls sings out his anxiety on the jangle pop delight “Trembling Hands”

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Recent Posts

  • Album Review: Billy Strings – So Much For Goodbyes
  • Album Review: Formal Sppeedwear – Punch Card
  • Album Review: Gnoomes – Losey
  • Big Ears Festival announces 2027 lineup: Thundercat, Weyes Blood, Natalie Merchant, Norah Jones, Jeff Tweedy, Oneohtrix Point Never
  • Album Review: Sleep – Hempispheres
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