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    Album Review: Taroug – Chott

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    Festival Preview: 15 acts to witness at Rewire 2026

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    Wiliam Bleak switches to lighter overtones on “Black and Blue”

    Beth Orton returns with elemental poetry on “The Ground Above”

    Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”

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    Podcast: Meet Our Makers Episode 108: Peaches – A Mirror To Absurdity

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Shallowater address and confront their meteorophobia on “Sadie”

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Farao announces new album, collaborates with Laraaji on “Voice Continues”

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bar italia announce new album, offer a bit of kinetic euphoria on “Fundraiser”

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ROREY reaches deep on “Nobody’s Fault But My Own”

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Madi Diaz rips apart feelings of indecision while yearning for more on “Ambivalence”

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Joyce Manor announce UK/EU Fall tour dates, share new single “All My Friends Are So Depressed”

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Water From Your Eyes offer up a raucous vision of melodic geographies on “Nights in Armor”

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Date of Birth get lost in the kaleidoscopic pop orchestrations of “Sunshine Girl”

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Agriculture bear witness to the complexities of queer life on “The Weight”

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Recent Posts

  • Album Review: Taroug – Chott
  • Album Review: Antropoceno – No Ritmo da Terra
  • Wiliam Bleak switches to lighter overtones on “Black and Blue”
  • Album Review: Sunn O))) – Sunn O)))
  • Album Review: Whitney Johnson, Lia Kohl & Macie Stewart – BODY SOUND
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