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    Album Review: Haiku Salut & Meg Morley – The Lost Score

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    His best since Scary Monsters: Let’s Dance

    BPM Curates: April 2026

    Track-By-Track: Miss Grit offers shelter within the architecture of their new album, Under My Umbrella

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    Ian Cobiella finds a new tempo for heartbreak in “Have I Been Good To You”

    Woody Guthrie’s unfinished business finds a new voice in Crys Matthews

    With “Process of Individuation”, Mighty Joe Belson fits Carl Jung’s concept of self into a minimalist music setting

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    Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole

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Ryan Hemsworth and Hand Habits team up for Quarter-Life Crisis’ dissociative dream “Comfortable”

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Palberta turn a Sunday stroll into delightful indie-pop on “Corner Store”

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Do Nothing share an urgent transmission from life’s grey areas on “Glueland”

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Francis of Delirium pay tribute to those who made them on new anthem “Lakes”

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CHAI share fun, Tokyo-romping video for their cover of City Pop classic “Plastic Love”

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Rosehip Teahouse take us through their heartbreaking dream on “Summer Sleep”

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Bored At My Grandmas House washes away life’s grit on the refreshing dreampop gem “Showers”

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CIEL make an immediate impact on effervescent new track “All My Life”

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  • Album Review: Haiku Salut & Meg Morley – The Lost Score
  • Album Review: Dua Saleh – Of Earth & Wires
  • Album Review: 6LACK – Love Is The New Gangsta
  • Album Review: Kevin Morby – Little Wide Open
  • Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole
  • Home
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