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    Album Review: Haiku Salut & Meg Morley – The Lost Score

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    His best since Scary Monsters: Let’s Dance

    BPM Curates: April 2026

    Track-By-Track: Miss Grit offers shelter within the architecture of their new album, Under My Umbrella

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    Ian Cobiella finds a new tempo for heartbreak in “Have I Been Good To You”

    Woody Guthrie’s unfinished business finds a new voice in Crys Matthews

    With “Process of Individuation”, Mighty Joe Belson fits Carl Jung’s concept of self into a minimalist music setting

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    Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole

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Westside Boogie has been ‘kidnapped’, gets help from Eminem hyping mysterious release

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Cherry Glazerr re-claims her identity on the dance-infused “Rabbit Hole”

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Chloe Rodgers laments her teenage naïvety on the sparkling “The Algea”

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Harold Budd was a Master (1936-2020)

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Another Michael announce debut album with the blustering indie of “I Know You’re Wrong”

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Katy Kirby re-evaluates her vulnerabilities on the sweeping “Cool Dry Place”

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Hong Kong based indie pop musician Cehryl shares depths-combing new single and video “angels (emily)”

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Foxes gets lost in “Hollywood” on her emotional new single

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Bored At My Grandmas House expresses her emotional deficiencies on the dreampop beauty “Skin”

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  • Album Review: Haiku Salut & Meg Morley – The Lost Score
  • Album Review: Dua Saleh – Of Earth & Wires
  • Album Review: 6LACK – Love Is The New Gangsta
  • Album Review: Kevin Morby – Little Wide Open
  • Podcast: Meet Our Makers Episode 110: Rostam – Making Myself Whole
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