Even if Trouble Will Find Me is perhaps less colorful than their past three albums, the National are yet again standing atop the mountain they conquered nearly a decade ago....
“That night, I watched people fucking on my computer.” When these are the opening lines to your sophomore LP, you’re setting quite the standard for yourself. Co...
Bass saxophonist Colin Stetson’s latest release New History Warfare Vol 3: To See More Light is bound to be as thoroughly dissected and analyzed as any of his p...
Like Jay-Z or Michael Jordan, the dudes comprising Sandwell District have retired several times now. Back in 2011, they informed the world that "regular audio c...
"It feels as if I'm leaving my body." So goes a snippet of muffled conversation that tees up Stefan Kozalla's sprawling, soft-focus, self-styled "Sgt. Pepper", ...
There are times when music moves cyclically—turning back on itself every few years to regurgitate the same warbling synths or fuzzy distortion pedals or fidelic...
For 10 years, Philadelphia native Kurt Vile exploited the smallness in his songwriting process. With the exception of his work with fellow philadelphian psych o...
Excavation approaches fear and darkness a lot differently than its predecessor. Bobby Krlic's 2011 selt-tiled debut as The Haxan Cloak was all about externalizi...
Four years on from his first single “Air & Lack Thereof,” we still don’t know exactly what kind of artist James Blake is turning into. Carving unconventiona...
London trio Vondelpark have already released a couple of EPs on Belgian dance music label R&S records. This home seemed natural for them on those two releas...
