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    Album Review: Louis Tomlinson – How Did I Get Here?

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    Snail Mail returns with first new album in five years, shares lead single “Dead End”

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    Podcast: Meet Our Makers Episode 106: Animal Collective – Twenty Years of Feels

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Screaming Females deliver thunderous unity on “Brass Bell”, announce new album

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Mandy, Indiana return with the minimal, claustrophobic “Injury Detail”

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Shaylee illuminates the darker recesses of the heart on grunge-pop frenzy “Snow Day” [BPM Premiere]

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Occurrence revel in lust through the industrial electro-pop noise of “Fudge” [BPM Premiere]

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Liv.e arrives at self-acceptance on the luxurious “Find Out”

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Tiffany Kintzer conquers her fear in “Lost Angeles”

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Vagabon returns with the Rostam co-produced single “Carpenter”

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Andrei Irimia offers kaleidoscopic visuals while luxuriating in the neo-classical ambience of “It Comes at Night” [BPM Premiere]

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James Holden shares the inter-dimensional drifter “Contains Multitudes”, announces new album

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Liturgy unveil the radiant children’s choir piece “Angel of Sovereignty”

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Recent Posts

  • Album Review: Louis Tomlinson – How Did I Get Here?
  • Album Review: Lucinda Williams – World’s Gone Wrong
  • Album Review: Gylt – In 1,000 Agonies, I Exist
  • Album Review: A$AP Rocky – Don’t Be Dumb
  • Snail Mail returns with first new album in five years, shares lead single “Dead End”
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