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    Album Review: Spencer Cullum – Spencer Cullum’s Coin Collection 3

    Album Review: Irreversible Entanglements – Future Present Past

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    In Rotation: Morgan Nagler traces her own winding musical histories

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    Track-By-Track: TVAM tells us about his danceable broken dream of a record, Ruins

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    Beth Orton returns with elemental poetry on “The Ground Above”

    Portrayal of Guilt swirl new sounds into their hardcore whirlpool on “Object of Pain” and “Death From Above”

    Iceage deliver a jangly ode to fatal love on “Star”

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    Podcast: Meet Our Makers Episode 108: Peaches – A Mirror To Absurdity

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Matt Evans reveals his percussively experimental impulses on “Spinning Blossoms”

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Grace Joyner wanders otherworldly pop landscapes on “Hung the Moon”

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Psychic Markers share the wide-eyed kraut rocker “Clouds” (BPM Premiere)

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Jade Hairpins are playfully downcast on “(Don’t Break My) Devotion”

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Listen to Harkin’s soaring new song “Dial It In”

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Laura Marling to release new album on Friday, listen to “Held Down” now

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Body Salt explores the complex connections between pop and electronic music on new song “Please Avoid Your Grave” (BPM Premiere)

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Frank Ocean

Frank Ocean shares two gorgeous new tracks, “Dear April” and “Cayendo”

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Recent Posts

  • Album Review: Spencer Cullum – Spencer Cullum’s Coin Collection 3
  • Beth Orton returns with elemental poetry on “The Ground Above”
  • Album Review: Irreversible Entanglements – Future Present Past
  • Live Review: my bloody valentine at Royal Albert Hall, London – 27 March 2026
  • Album Review: Rosie Carney – Doomsday… Don’t Leave Me Here
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