Cecily Eno

Brian Eno shares the hauntingly beautiful “There Were Bells”, preps first vocal album in 17 years

Any time Brian Eno does, well, anything, it’s cause for excitement and celebration. It’s been 5 years since his last solo album, and with the announcement of a new project, ForeverAndEverNoMore, we’ve gotten some even more intriguing news: it’s set to primarily feature his vocals, the first Eno album to do so since 2005’s Another Day on Earth.

To mark the occasion, he’s shared a haunting, gorgeous single, “There Were Bells”. Written for a performance at the Acropolis, Eno performed in sweltering heat as wildfires raged nearby, causing him to bleakly observe, “Here we are at the birthplace of Western civilization, probably witnessing the end of it.”

The album in general will deal with the climate crisis, with Eno expanding greatly:

Like everybody else—except, apparently, most of the governments of the world—I’ve been thinking about our narrowing, precarious future, and this music grew out of those thoughts. Perhaps it’s more accurate to say I’ve been feeling about it… and the music grew out of the feelings. Those of us who share those feelings are aware that the world is changing at a super-rapid rate, and that large parts of it are disappearing forever… hence the album title.

These aren’t propaganda songs to tell you what to believe and how to act. Instead they’re my own exploration of my own feelings. The hope is that they will invite you, the listener, to share those experiences and explorations.

It took me a long time to embrace the idea that we artists are actually feelings-merchants. Feelings are subjective. Science avoids them because they’re hard to quantify and compare. But “feelings” are the beginnings of thoughts, and the long term attendants of them too. Feelings are the whole body reacting, often before the conscious brain has got into gear, and often with a wide lens that encompasses more than the brain is consciously aware of.

Art is where we start to become acquainted with those feelings, where we notice them and learn from them—learn what we like and don’t like—and from there they start to turn into actionable thoughts. Children learn through play; adults play through Art. Art gives you the space to “have” feelings, but it comes with an off-switch: you can shut the book or leave the gallery. Art is a safe place to experience feelings—joyous ones and difficult ones. Sometimes those feelings are about things we long for, sometimes they’re about things we might want to avoid.

I’m more and more convinced that our only hope of saving our planet is if we begin to have different feelings about it: perhaps if we became re-enchanted by the amazing improbability of life; perhaps if we suffered regret and even shame at what we’ve already lost; perhaps if we felt exhilarated by the challenges we face and what might yet become possible. Briefly, we need to fall in love again, but this time with Nature, with Civilisation and with our hopes for the future.

Check out “There Were Bells” below, and look out for ForeverAndEverNoMore come October 14th via Verve/UMC.