In Rotation: Lily Seabird curates a musical atmosphere of wintry melancholia and self-analysis
“In the past, I used to come to songwriting when I was in crisis,” says Lily Seabird. “Only...
Joshua Pickard
Track-By-Track: Anika details the anger and frustration at the center of her new album, Abyss
The latest album from British-born, Berlin-based musician Annika Henderson, who records as Anika, is a treatise on how...
Music Festival Review: The magical realism of Knoxville’s Big Ears Festival
You have to get your mind right before you begin the deliberations as to who you will see...
Track-By-Track: Bria Salmena offers insight into the internal workings of her new album, Big Dog
Transitory experiences and the nuance of transformation lie at the heart of Bria Salmena‘s music, stories of intense...
In Rotation: Dean Wareham highlights some of his favorite Los Angeles artists
Dean Wareham has developed a distinctive dialect over the last 40 years, a musical language that involves slumbering...
“As long as everyone puts the song above everything else, things tend to work out ok”: An Interview with Panda Bear
It’s been 25 years since the first Animal Collective release — 2000’s Spirit They’re Gone, Spirit They’ve Vanished,...
Yeah Yeah Yeahs announce Hidden in Pieces Tour
Yeah Yeah Yeahs have shared details of an upcoming run of live performances which they’re calling the Hidden...
The Vernon Spring joins forces with aden to explore the reflective submersion of “Other Tongues”
There’s something overwhelmingly immersive about the latest single from London-based composer and producer Sam Beste, who operates under...
Sophia Kennedy explores the thin line between absurdity and paranoia on “Hot Match”
Sophia Kennedy matches a spiky post-punk angularity with a feeling of overt volatility on her latest single, “Hot...
Daughter of Swords addresses the sensory overload of modern life on “Strange”
“Strange”, the latest single from Daughter of Swords, is claustrophobic and filled with gaunt edges, reaching out to...
