Album Review: YUNGMORPHEUS & Eyedress – Affable With Pointed Teeth
If there’s one thing surely all of us can agree on in 2021, it’s that we don’t need...
Chase McMullen
Australian alt-pop artist Yen Strange struggles towards acceptance on “Go Away”
Syndey-based alt-popper Yen Strange delivers a consistently alluring mixture, raking through youthful malaise and desperation alike without ever...
BPM’s Albums of the 2010s: Honorable Mentions
This week Beats Per Minute is unveiling its Top 50 albums of the 2010s. We’re well aware it’s...
Kelis glides through the tongue-in-cheek, sensual “Midnight Snacks”
When she cares to, Kelis has always been able to – essentially – outplay any given moment in...
Conway the Machine – finally – unveils the lead single for his Shady Records debut, the sinister, Alchemist-produced “Piano Love”
Goddamn. It’s surely partly the nature of slowed down pandemic time, but it feels like an age since...
Interview: Virginia Beach songwriter Shaolinn dishes on her debut EP, working with Pusha T and much more
You may not have heard about Shaolinn, but it seems safe to say that’s all about to change....
Grafh prepares project celebrating – and produced by – the late DJ Shay, shares “Valid” feat. Sheek Louch and Ransom
DJ Shay’s tragic passing from COVID-related complications last year shook the Buffalo hip hop scene to its core....
Misty Mtn trot through the wistful, gracefully catchy “Weren’t Those the Days”
The pair that make up Misty Mtn came together naturally, as if it was meant to be. Hailing...
Paris Texas surprise release fiery new EP, Red Hand Akimbo
For those that were enamored with L.A. duo Paris Texas‘ seemingly sudden rise with their EP, BOY ANONYMOUS,...
Experimental Inuit artist Tanya Tagaq shares piercing, abrasive single, “Tongues”
Tanya Tagaq brings voice to realities many are afraid to confront. Especially as more and more information emerges...
