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    Snail Mail returns with first new album in five years, shares lead single “Dead End”

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Fontaines D.C. share the cinematic and lonely “I Don’t Belong”

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The Wytches return with pomp on the formidable “Cowboy”

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Vessel and Rakhi Singh team up for violin rework of “Red Sex” and new label

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Little Kid excavate an abusive relationship on “All Night (Golden Ring)”

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Korean DIY artist nijuu sucks us in with “BLUE”

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Inter Arma cover Nine Inch Nails’ “March Of The Pigs”

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Ane Brun reaches through time with the throwback groove “Honey”

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JOBS offer a disorienting collage of avant-garde sounds on cross-genre experiment “Brian” (BPM Premiere)

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Punk duo WARGASM don’t hold back on the disgusted “Spit.”

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Shimmy-Disc founder Kramer molds an indie-folk grace under the moniker of Let It Come Down with “Vicky”

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Album Review: A$AP Rocky – Don’t Be Dumb

Podcast: Meet Our Makers Episode 104: Azazel Jacobs – The Magic

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Tanya Tagaq returns via the righteous Industrial terror of “Foxtrot”, announces new album

Recent Posts

  • Album Review: Lucinda Williams – World’s Gone Wrong
  • Album Review: Gylt – In 1,000 Agonies, I Exist
  • Album Review: A$AP Rocky – Don’t Be Dumb
  • Snail Mail returns with first new album in five years, shares lead single “Dead End”
  • Album Review: Julianna Barwick & Mary Lattimore – Tragic Magic
  • Home
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    • Let It Beat
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