Album Review: Earl Sweatshirt – SICK!
“I don’t act hard, I’m a hard act to follow,” seems like such a prophetic statement now. Back...
Tim Sentz
BPM’s Most Anticipated Releases of 2022
Quarantine days notwithstanding, 2022 is expected to be a rager. With the pandemic slowing down, and artists hitting...
BPM’s Top 50 Albums of 2021
And so the sun sets on another year of music. This week the BPM staff have shared our...
BPM’s Top 50 Songs of 2021
Sometimes a song says it all. Sometimes an artist produces a few minutes that provide a window into...
Album Review: Aeon Station – Observatory
Longtime fans of The Wrens are no strangers to long waits. The rollout for their acclaimed last record...
Album Review: Courtney Barnett – Things Take Time, Take Time
The unimpressed demeanor of Australia’s darling indie rocker Courtney Barnett is firmly embedded in her character. The deadpan...
Saba announces new album with the funky “Fearmonger”
Two years removed from his work with the Pivot Gang album, and three years from his beloved debut...
Charli XCX crashes the weekend with “New Shapes” and album announcement
World domination is what Charli XCX has her sights set on. Ever since she sprung into our hearts...
Album Review: Bat Fangs – Queen Of My World
While touring with their respective bands in 2016, Betsy Wright of Ex Hex and Laura King of Flesh...
Album Review: Geese – Projector
The hype train for post-punk is working on overdrive in 2021 it seems. From the rippling debut For...
