Album Review: Danny Brown – Quaranta
It’s very hard for me to reflect on mortality. On one hand, that’s due to my own experience...
John Wohlmacher
Second Look: Taylor Swift – 1989 (Taylor’s Version)
A group of people, wailing, dancing – dancing! Excitement and bright colours, which give way to the bright...
Album Review: Drop Nineteens – Hard Light
There was a weightless suspension to living in the 90s which the 20th century sorely lacks. A feeling...
Album Review: The Rolling Stones – Hackney Diamonds
Every day, Mick Jagger goes jogging. One step in front of the other, a constant rhythm – one,...
Album Review: Armand Hammer – We Buy Diabetic Test Strips
In 1913, Aleister Crowley released his treatise on ceremonial magick, The Liber ABA, Book 4. Therein, he speaks...
Album Review: Animal Collective – Isn’t It Now?
As a kid, I preferred Lokum and Mochis, melon bonbons and milk-based treats, to the outrageous western candy...
Futurismus, or: Songs of the Body, the Blood, the Machine.
2023 saw the climactic release of a number of albums from groups with diverse backgrounds and histories, united in the interest for a new, mechanical sound that abandons generic conventions...
This has led to the need to imagine a new (sub)genre terminology
Album Review: Sprain – The Lamb As Effigy
The issue with creating abstract art isn’t so much that you can just dump anything on a blank...
Return to the Deep Time: Candy Claws discuss 10 years of Ceres & Calypso
Ten years ago, humanity received a strange broadcast from the far away past: 12 songs of psychedelic bubblegum pop decorated with cotton-candy guitar gloss, that told the story of Ceres – the white seal made of snow – and the girl Calypso who time-travel through the prehistoric period the Mesozoic era.
Album Review: Slowdive – everything is alive
Culture has become so accustomed to romanticising the idea of musicians as idols that the harsh reality of...
