Ecclesiastical musings, relationship troubles, foreboding observations… Manners contained a good deal of subject matter than didn’t exactly fit in with its glucose-fuelled synths and cheery children’s choirs. This duality is part of what makes Passion Pit such an alluring pop act. On “I’ll Be Alright,” singer Michael Angelakos sticks with what he knows best, but the hypercharged, cut and paste intro is a first for his band. It’s like what would happen if you minced “Sleepyhead” and stuffed it into a paint shaker. “I won’t let you go/ Unless I’ll be alright,” declares Angelakos; a desperate plea that will likely receive no reply. Honestly, the brewing fury and anxiety within “I’ll Be Alright” shouldn’t make you feel this good. But it does. It really, really does.
Gosasmer is due out July 24th on Columbia.
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Plugging away since 1999, The National finally hit mainstream success with the release of their 2010 album High Violet. Of course, this entailed their first world tour, but in the new documentary Mistaken For Strangers, it’s only the backdrop for the relationship between lead singer Matt Berninger and his younger brother Tom, who had no idea that these short videos he was shooting would turn into a public document of their troubled, if still loving brotherhood.
We talk with Israeli rockers Vaadat Charigim about some of their favorite records.
We talk with Yvonne Ambree and Jesse Barnes of Take Berlin about some of the records which influenced the recording of their debut EP, Lionize.
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