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    Live Review: Swans at Festaal Kreuzberg, Berlin – 27 November 2025

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    BPM’s Top 50 Songs of 2025

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    Track-By-Track: Hilary Woods takes us through the wistful, densely colored world of her latest album, Night CRIÚ

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    Desperate Hauswives salute a rebel on “The Ballad of Edie Britt”

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    Podcast: Meet Our Makers Episode 102: Austra – A Particular Grief

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Erika de Casier gives in to her theatrical tendencies on the slinky “Drama”

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Dorothea Paas embraces life’s uncertainties on the silvery storm “Anything Can’t Happen”, announces debut album

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Nami Sato melds with the morning mist on “Blue Drizzling”, from her debut album [BPM Premiere]

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Maple Glider hits rock bottom on the confessional “Good Thing”

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4. or Docklands introduce themselves with the beguiling glitch-folk Come // Close EP

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Marianne Faithfull and Warren Ellis share “She Walks in Beauty”, from their poetry and music album

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Ohtis take us to a walk-in clinic waiting room on the brilliantly bizarre “Failure”

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Gold Baby are flummoxed by the femininity of “Betty” on their shimmering new single

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HighSchool have no illusions about love on the quicksilver “De Facto”

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Flock of Dimes laments failed connections on the scorching “Price of Blue”

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Recent Posts

  • BPM’s Top 50 Songs of 2025
  • Podcast: Meet Our Makers Episode 102: Austra – A Particular Grief
  • Desperate Hauswives salute a rebel on “The Ballad of Edie Britt”
  • Live Review: Swans at Festaal Kreuzberg, Berlin – 27 November 2025
  • Album Review: Slime City – National Record of Achievement
  • Home
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    • Album Reviews
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  • Features
    • Best of 2025
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    • Essay
    • Track-by-Track
  • News & Track Reviews
  • Podcasts
    • Meet Our Makers
    • Let It Beat
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