30.
Thouxanbanfauni – Time of My Life
[Create Music Group]
Given the rave-friendly production, itโs not weird that โOCEANSIDEโ features a rapper named MDMA. Seriously, this is some futuristic turbo shit. โMIDNIGHT CLUBโ is another endorphin-blaster, one that finds UnoTheActivist fitting perfectly in the pocket. So many tracks have a total beat-switch that it sounds like there are about 30 songs here, and thatโs a few too many, especially with Fauniโs understated delivery. Still, given its unique and exciting sound, Time of My Life stands out among the endless number of rap releases this year. – Ethan Reis
29.
Czarface & MF Doom – Super What?
[Silver Age]
Supergroup Czarface keeps 90s rap alive. Inspectah Deckโs still churning out the reliable raps he did for Wu-Tang, and 7L and Esoteric can spit pop culture references in clever rhymes for days on end. But letโs be real here, no shade to the collective, but the attention theyโre receiving lately has a lot to do with the presence of MF DOOM on their latest collaboration album Super What? A follow-up to the average 2018 collaboration Czarface Meets Metal Face, Super What? does indeed correct a lot of the mistakes of that project, and DOOMโs bars are of a higher caliber.
Thereโs a black cloud looming over rap right now in the wake of DOOMโs passing, with many hoping to fill that void as quickly as possible. Super What? isnโt exactly the best project that DOOM ever did โ this is a solid Czarface project, and the departed legend mostly just happens to be along for the ride, which is a shame on many levels. Although, on โMando Calrissianโ, he drops his lines with the same endearing flow that garnered him attention in the first place.
For their latest, Czarface tapped the right talent for name recognition but the collective has been delivering quality work for the better part of a decade to little fanfare. With this collaboration though, we are treated to some necessary nostalgia on โBreak in the Actionโ, which is a throwback to the style of Madvillainy with its purposeful pacing and samples. It wonโt compare to Take Me to Your Leader or Vaudeville Villain, but Super What? is the project DOOM fans needed right now. – Tim Sentz
28.
Peewee Longway & Cassius Jay – Longway Sinatra 2
[MPA Bandcamp Music Group / EMPIRE]
โI nut quick when Iโm anxious.โ Leave it to Longway to give it to you straight. The perennially underrated, constantly geeked-up rapper from Atlanta delivers again. โBlue Benjaminsโ’ interpretation of โI Would Die 4 Uโ is perhaps even more absurd than State of the Artโs โTop of the Bankโ (a fantastic track that reworks โSittinโ On the Dock of the Bayโ). โNeighbors talkinโ crazy / Went and bought they house on Zillow.โ And, like the great Sinatra, Longway can croon: see the โLive Like You Were Dyingโ-referencing โSkydivingโ or the salsa trap of โPink Salmonโ. – Ethan Reis
27.
Benny The Butcher & Harry Fraud – The Plugs I Met 2
[Black Soprano Family]
The Plugs I Met 2 may be named as a sequel, but is superb enough to reduce 2019โs first instalment to mere preamble. Things really kick into gear here thanks to Harry Fraud being in the producerโs chair throughout, presenting a unified sound in which Benny thrives. Itโs a meeting that the Butcher compares to โWhen Tony Met Sosaโ on the projectโs opening track โ and just like that legendary Scarface scene, no mercy is shown, no prisoners taken.
Supported by Fraudโs plush and decadent production, Bennyโs tales of hood wars and drug trade misdeeds are raised to the glamorous heights of Hollywood mafiosos โ but the blood spilled in these bars is all too real. โLive By Itโ finds him prideful about his ability to handle a firearm while others find โthe power of havin’ a gun a big obstacle for them.โ In โNo Instructionsโ, he compares his knife skills, which he picked up in prison, to โWesley in Blade.โ His force is so undeniable throughout that when, on โLongevityโ, he claims โMy body language just as loud as my voice and they all catch it / All I do is look and that send them a small message,โ thereโs no reason to doubt the truth of it.
Of course, a life this cutthroat doesnโt leave a man without regrets, which he brings home to roost in the projectโs penultimate track โSurvivorโs Remorseโ, which finds him scoffing โthis supposed to be success / Then why the fuck I feel stressed out and guilty?โ However, itโs short-lived, and for the victory lap closer โThanksgivingโ heโs right back on his throne, demanding appreciation, surrounded by bodies as he asserts: โY’all n***as should tell me thank you / Somebody tell me thank you.โ Who dares deny The Butcher? – Rob Hakimian
26.
MIKE – Disco!
[10k]
Most of MIKEโs releases have been brief, nearly all around the half hour mark. He says a lot in minimal time, but when he has a wider space to breathe, he fills it with just as many arresting bars and chill beats. Thereโs no aggression to be found in his voice โ he doesnโt need that, heโs a confident individual who isnโt rapping just to kick up beefs or kick up streams. His latest, Disco!, is his longest in some time โ and not a second is wasted.
โRemember we would sit out, showed me where they paid green / You flexing just to stick out, I flex because of great genes,โ he snipes on the Solid Gold-infused โCrystal Ballโ. MIKE pairs these off-kilter styles with his deadpan delivery on purpose. On โEndgameโ, he speeds it up, but heโs keeping it effortlessly cool. Thereโs a very real and stripped-down feel to MIKEโs work, and Disco! finds him playing with a lot of the same elements the underground scene is exploiting with good measure.
The whole affair is short on features but big on ideas, with vast sound valleys for him to fill with his own production nuances. His outlook is more optimistic here too, something that previous albums werenโt necessarily missing, but they werenโt the focal point. As MIKE nestles comfortably in this rhythm heโs created for himself thereโs no telling where he can go, and Disco! will be the best jumping off point for those who arenโt familiar yet. – Tim Sentz
25.
McKinley Dixon – For My Mama And Anyone Who Look Like Her
[Spacebomb]
Cultural and generational trauma can foreshadow a precise ‘how’, ‘when’, and ‘why’ concerning one’s inevitable fate. To probe further into one’s history makes the reality of death that much more palpable. Biggie’s 1994 album Ready To Die is a prime example of what it sounds like to channel the imminence of one’s death into something obtainable and relatable.
These same existential thoughts weigh heavy within the mind of rising Virginia rapper McKinley Dixon throughout his newest album For My Mama And Anyone Who Look Like Her. Dixon’s pain is explored to a compelling degree that will have many listening with intense attentiveness. Amidst releasing two records back in 2018, Dixon lost his best friend to sudden tragedy. It was a death that stuck like bludgeoning “Brass knuckles with shards of broken home to the dome,” as he describes on “make a poet Black”. His friend’s passing was a blow so bone-crushing that the presence of death and dying transpires what is merely uttered, resulting in a hip-hop record that is physically touching to the heart as it is to the ears. – Kyle Kohner
24.
Curren$y – Collection Agency
[Jet Life Recordings]
Talk about the little stoner that could. When you got into Curren$y likely entirely depends on your age: perhaps you’ve been following ever since his unheralded Cash Money days, more likely you clocked in around the Pilot Talk era, maybe a Wiz Khalifa collaboration wafted your way, or perhaps still you hopped in during any of his truly numerous mixtapes. As someone who enjoyed his torrential pace around 2011, it’s no real surprise that he’s still going, as steady as ever. What is somewhat more surprising โ even a genuine mystery โ is as to how he’s managed to make essentially the same narrative truly interesting for more than a decade. One supposes that’s what supreme (however faded) focus alongside pure charm does, but the reliable Collection Agency proves that Spitta Andretti has more than enough gas left in his papers. – Chase McMullen
23.
AKAI SOLO & Navy Blue – True Sky
[Break All Records]
The real showstopper for the joint project True Sky is Akai Solo, the Brooklyn rapper whoโs been popping up on projects here and there for the last handful of years. He had a strong presence on Armand Hammerโs โParablesโ, delivering the trailing outro hook. This network of underground and gritty rappers is nothing short of enticing, and Akai is bringing something refreshing to the table thanks to his die-hard work ethic.
He raps like he talks, with purpose and conviction, and Navy Blue‘s production surrounds him with the necessary tools to emphasize these characteristics. Navyโs got a solid resume when it comes to production value, all of his releases have flair that you donโt find elsewhere โ and all of it has this raw and unfiltered sound to it that paves the way for static and hiss guardrails. On โWillingโ, the producer drops Akai into some 70s glam that will drive the underground clubs they frequent into a flurry of dancing and grinding. Akai, just like Navy, is still pretty new to the game, but every track on True Sky shows purpose and promise, with barely any traces of the naivety others have shown so early on. – Tim Sentz
22.
Planet Asia & DirtyDiggs – Block Shaman
[T.C.F. Music Group]
With Block Shaman, Planet Asia offers some of his most fluid and focused lyrics since Anchovies, his 2017 collaboration with producer Apollo Brown. โMy mind is made up / I need some get-back for what they did to Breonna Taylor,โ Asia snarls on the opener, โReverse Witchcraftโ, the track unfolding as a revisionist and Black-empowerment manifesto.
On โThe Coastguardsโ, โSpin the Blockโ, and โMarble Pieโ, Asia and producer DirtyDiggs feature samples of African voices chanting and/or singing. While these clips serve to align the project with African stylistics and implicitly contrast pre- and postcolonialism, most of Asiaโs lyrics revolve around the contemporary American experience.
โTuning My Instrumentโ is perhaps the albumโs lyrical and musical highpoint. Asia muses, โFrom a man to a god this is evolution / we evolve with the planet and stars / and break down mathematics / man landed on Mars / this is super-galactic.โ Guest Styliztik Jones, whose album Everybody Eat was also produced by Diggs earlier this year, offers a hook-y chorus. Diggs inventively employs sounds that range from horn flourishes to synth-y accents that couldโve been borrowed from a B-sci-fi flick.
Blending the prerequisite โmachismoโ raps with political and cultural commentaries, Asia often brings to mind Ice-Tโs proto-intensity and the timbre of Coolio, whose name and 1995 hit โGangstaโs Paradiseโ are mentioned on โThat Old Feelingโ. His various guests contribute distinct lyrics and vocal tones while Diggs โserves the song,โ leaning toward understated touches and elegant minimalism. – John Amen
21.
Lil Durk – The Voice (Deluxe)
The best of times, the worst of times โ perhaps no major figure in music can better represent (and relate) to these words than Lil Durk. Heโs been on a seemingly endless come up โ and been a street favorite โ for years now, but ever since popping in on Drakeโs โLaugh Now Cry Laterโ, the Chicago mainstay has truly ascended to a place among the biggest hip hop stars on the planet. In the same breath, he lost his signee and friend King Von (whom The Voice is largely dedicated to). No sooner had he released Voice of the Heroes alongside Lil Baby, and his brother was killed. Itโs been no easy road.
The Voice may have arrived in 2020, but its counterpart, the ‘Deluxe’ version, in reality an entirely new album in its own right, dropped in early โ21. Itโs certainly a strange trend, but alongside ‘Deluxes’ as second offerings from the likes of G Herbo and Eminem, they seem to find the artists relatively freed from expectations, able to fully commit to whatever they like. The Voice (Deluxe) is, if anything, an even grimmer affair than its predecessor, and certainly more consistent, finding a justifiably paranoid, mourning Durk putting (as he himself says) every ounce of his pain into his music. Itโs a seething, sinewy mess of an artist on top of the game feeling he has nothing to lose. – Chase McMullen
Listen along to our Hip Hop 2021: Halftime Spotify playlist.
