Beats Per Minute

Album Review: Father John Misty – Chloë and the Next 20th Century

Rob Hakimian·April 13, 2022

There has been a clear development of Josh Tillman’s public persona since switching to the moniker Father John...

Ray Finlayson·April 13, 2022

Describing the features of Kee Avil‘s music feels almost like a superfluous task. The new moniker of Montreal-based...

Rob Hakimian·April 12, 2022

billy woods has worked with dozens of producers across his two decades plus in the game, but of...

Marc Griffin·April 12, 2022

Throughout the litany of nonchalantly grim lyrics Vince Staples has delivered over the past 10 years, one constant...

Kyle Kohner·April 11, 2022

Orville Peck‘s debut album Pony offered a captivating avenue into a genre that wasn’t necessarily all that appealing...

Tim Sentz·April 11, 2022

It would appear that the unfortunate (but still ambiguous) dissolution of 2000s genre-defining art-rock band Grizzly Bear in...

Tom Williams·April 8, 2022

In the age of stan-culture – where everything is ‘legendary’ and/or a ‘cultural reset’ – it can be...

Eddie Smith·April 8, 2022

Narrative has always been at the heart of Kae Tempest’s work. The south-east London poet and rapper has...

Chase McMullen·April 7, 2022

To say the least, it has been a time of change for Seoul-based act TENGGER. Watching the world...

Chase McMullen·April 6, 2022

If, in 1985, one were laying out the odds for bands with the potential to be the biggest...