Beats Per Minute

Album Review: Kurt Vile – (watch my moves)

Every time ‘Philly’s constant hitmaker’ announces an album, it brings excitement to all his avid listeners who, somehow,...

Tim Sentz·April 14, 2022

California trio Duster unceremoniously disappeared in 2001 after the excellent Contemporary Movement, only to resurface some 18 years...

Rob Hakimian·April 13, 2022

There has been a clear development of Josh Tillman’s public persona since switching to the moniker Father John...

Ray Finlayson·April 13, 2022

Describing the features of Kee Avil‘s music feels almost like a superfluous task. The new moniker of Montreal-based...

Rob Hakimian·April 12, 2022

billy woods has worked with dozens of producers across his two decades plus in the game, but of...

Marc Griffin·April 12, 2022

Throughout the litany of nonchalantly grim lyrics Vince Staples has delivered over the past 10 years, one constant...

Kyle Kohner·April 11, 2022

Orville Peck‘s debut album Pony offered a captivating avenue into a genre that wasn’t necessarily all that appealing...

Tim Sentz·April 11, 2022

It would appear that the unfortunate (but still ambiguous) dissolution of 2000s genre-defining art-rock band Grizzly Bear in...

Tom Williams·April 8, 2022

In the age of stan-culture – where everything is ‘legendary’ and/or a ‘cultural reset’ – it can be...

Eddie Smith·April 8, 2022

Narrative has always been at the heart of Kae Tempest’s work. The south-east London poet and rapper has...