Interview: Hana Vu digs into the process and lyricism of her new album Public Storage
LA-based songwriter Hana Vu may have been making music since she was in high school, but in many ways,...
Features
On Deck: LOELASH – The Italian producer tells us about the albums that informed his debut album Fantasia
London via Italy producer and multi-instrumentalist LOELASH has been making his name via sun-drenched, wistfully delightful electronica, with...
Still brown after all these years: Ween’s 12 Golden Country Greats turns 25
If there’s one thing we know about Ween, it’s that they don’t give a single solitary fuck about...
Ought 2012–2021: Why the defunct Montreal four-piece’s volatile optimism is timeless and vital
Today, more than any other day, I’m excited to write about Ought. That this excitement comes in the...
Revisiting Led Zeppelin IV on its 50th Anniversary
Sometimes the fourth time is the charm – especially when it comes to establishing an indelible mark in...
Bonjour Motherfuckers #18 – BPM edition
Everything has been seemingly accelerating lately, hasn’t it? Releases, festivals, concerts — even Covid. Nobody said winter was...
Cassette Culture: October 2021
Cassette Culture is a monthly column dedicated to exploring the various artists that inhabit the expansive cassette market. Drawing...
Interview: Dark Mark vs Skeleton Joe – Breaking Out Of The Basement
The horrors of reality tend to eclipse whatever fictional horrors a person can dream up. Under their twisted...
Interview: Circuit Des Yeux runs towards luminescense – “Everything is an art project in my life”
Haley Fohr tells us about the emotional stakes of her new album, -io, which arrives on Friday
BPM’s Top 50 Albums of the 2010s
This isn’t some alternate timeline, or an instance of you waking up from a long Super Mario World...
