She wanted to craft an album bound by domesticity, inspired by her newfound partnership with Matthew Barney, and delivered a record overflowing with wintry choirs and strings, icicle-delicate music box keyboards and beats...
Charlie was always the best dressed one. He carried himself with an air of peace that was unmistakably British, an aura of humble grace that drummers rarely possess.
“I wanted to have something where I didn’t have to take anyone’s thoughts into consideration and do whatever I wanted in my own timeline... Everybody in Daughters is talented, so it can be hard to bring in ideas without feeling self-conscious about them. This is my project, so whatever ideas I have they’re mine, and I can use them without feeling uncomfortable.”