We talk with Kurt Vile on board The Delta Queen -- a river boat docked in Chattanooga, TN -- about his recent album, the influence of The Smashing Pumpkins, and how he takes pride in his daughter quoting Silver Jews.
Ray Finlayson has a one-to-one with James Cooley, the one man music-making machine that is Mesita, where they discuss the presence of religious beliefs in music, inspiration, and how you can't take everything with you.
David Grubbs talks about his upcoming record The Plain Where the Palace Stood, his extensive musical history, and his love of the new record from Bonnie Prince Billy and Dawn McCarthy.
We talk to Memory Tapes' Dayve Hawke about arbitrary music labels, coming to terms with his debut's success, and his new album as Memory Tapes, Grace/Confusion.
We sit down with Jessica Pratt to talk about the recording of her debut album, what records she was listening to during that time, and what she considers the best gift she's ever received.
In the first part of our two part interview with Interpol about the newly reissued Turn On The Bright Lights, we talk to Daniel Kessler about the record's five year gestation period, being a young band in early 00s New York City, and preserving oneself in the wake of creating a classic.
