With billowing strings and increasingly soaring backing vocals painting beautiful images of orange-kissed skies for the listener, Kroon's modest rumble cuts through the track's hypnotic grandeur and keeps us grounded and directed to the tangible romance of his words.
ominously looped cello, a cryptic piano lead, and crashing snares form a chaotic storm, setting up Rodger's beautifully salient vocals to cut through as the calm amidst it all.
In observance of this day, we spoke to nine artists, who have in one way or another, been profoundly struck by Daniel Johnston's art and overall nature. So we asked each artist just one question: "What has Daniel Johnston's music/art meant to you, one year since his passing, and has he/it shifted meaning since?"
With disgusting guitars and an urgent drumbeat coursing through the track's veins, we see Shame's frontman Charlie Steen shed his evocatively low vocal register, ala Iceage's Elias Bender Rønnenfelt, for something more immediate, and less of a low-rolling hum.
Albarn gives ample space to allow Smith and his ageless voice to drive home a simple but resonant chorus that works perfectly with what the Gorillaz founding father offers on his end.
No, "dream sequence" is not the blistering garage rock that listeners experienced with Duo Limbo/"Mellan himmel å helvete. However, it does fall in line with the alluring fuzz and vocal melancholy of the record's previously released three singles, and the bass-driven "dream sequence" is the best of the bunch.
"The Things I Thought About You Started To Rhyme" is a brooding slow death march tinged with a goth-y milieu, made possible through a devastatingly heavy bassline and other fogy productions nuances.