Album Review: Model/Actriz – Pirouette
Futurismus is, by far, the most interesting thing happening in contemporary rock music. As I laid out in...
Big Ears Festival announces initial 2025 lineup
Knoxville’s expansive and experimental Big Ears Festival will return to the Marble City in March of next year,...
Album Review: Sprain – The Lamb As Effigy
The issue with creating abstract art isn’t so much that you can just dump anything on a blank...
Run It Back: BPM’s Top 50 Albums of 2013
Ah, 2013… to say it was a “simpler time” is, well, oversimplifying things. But in the music world...
Festival Review: Knoxville’s Big Ears Festival stays weird and wonderful and wholly necessary
Big Ears still feels like a secret, a hidden treasure nestled in The Marble City. Gathering together artists...
Track-by-Track: Speedy Wunderground reminisce over their new label compilation Vol. 5
The label's Pierre Hall reminisces about the discovery and development of each of the eight tracks on the latest in their legendary compilation series
SCALPING unlock new dimensions with “Flashforward”, announce debut album
Bristol-based techno rock hybrid SCALPING will release their debut album Void on April 29 through Houndstooth. Where previous...
Book Review: Jennifer Otter Bickerdike – You Are Beautiful And You Are Alone: The Biography of Nico
“Though she is remembered for contributions to The Velvet Underground & Nico, her artistry and influence are often...
Hip Hop 2021: Halftime
We count down the Top 30 rap albums of the year so far
BPM’s Darkest Albums
Grab a cup of tea, hold on to your favourite My Little Pony plushie, and venture with us into the nether realms of the darkest albums according to the BPM team
