Album Review: Goat – Headsoup
‘Outtake’ projects often fail to measure up to a band’s ‘official’ work, serving as questionable hors d’oeuvres until...
John Amen
Vespertine at 20: Our guide to Björk’s romantic opus
She wanted to craft an album bound by domesticity, inspired by her newfound partnership with Matthew Barney, and delivered a record overflowing with wintry choirs and strings, icicle-delicate music box keyboards and beats...
Podcast: Let It Beat – Episode 01: Alexis Marshall, Billie Eilish and Lingua Ignota
Welcome to Let It Beat, BPM's new writers podcast where you get to meet the members of our team on a more personal level as we discuss and debate the music that's recently been making us tick.
In this episode, the panel discuss their recent listens and Kanye's ongoing DONDA saga, before focusing on in-depth discussions of new albums by Alexis Marshall, Billie Eilish and Lingua Ignota
Album Review: King Woman – Celestial Blues
Every mystic, no matter how immersed in textual and institutional prescriptions, is seeking a direct relationship with the...
Album Review: Midwife – Luminol
With her new album, Luminol, singer, producer, and multi-instrumentalist Madeline Johnston, working under the moniker Midwife, hones the...
Hip Hop 2021: Halftime
We count down the Top 30 rap albums of the year so far
Album Review: Maple Glider – To Enjoy Is The Only Thing
There’s something exciting about a debut. Perhaps we anticipate and respond to it as we would a birth,...
Album Review: Dean Blunt – Black Metal 2
Dean Blunt’s 2014 album Black Metal clocks in at 53-plus minutes and features 13 tracks, including the 13-minute...
Album Review: Raheem DeVaughn & Apollo Brown – Lovesick
With his ninth album, Lovesick, R&B singer Raheem DeVaughn teams up with producer Apollo Brown, mining romantic and...
Album Review: Kujo – The Rebels Have No King
Accompanying the rise of global nationalism and the influence of right-wing factions is a resurgence of interest in...
