It got some flak for its lack of originality back in 2010, but Local Natives’ Gorilla Manor was lovingly crafted, warm, deep and surprisingly mature for a debut album. Three years is a lot of time for a young band to record a follow-up, but “Breakers” makes a good case for the gap. While the bedrock of their sound hasn’t changed much, the tweaks they make bring new oddities into the light. “Breakers” trades in lush vibrations for the wet chime of Foals’ Total Life Forever. In fact, it brings to mind “Spanish Sahara” in the way it builds and intensifies over its runtime. “Let it happen/I can’t let it happen,” croons singer Taylor Rice, embattling the inherent effortlessness gracefully. His band has his back, with an arrangement that’s dutifully refined, upholding the perception of Local Natives as industrious craftsmen.
Local Natives’ Hummingbird is out January 29th, 2013 via Frenchkiss/Infectious
Plugging away since 1999, The National finally hit mainstream success with the release of their 2010 album High Violet. Of course, this entailed their first world tour, but in the new documentary Mistaken For Strangers, it’s only the backdrop for the relationship between lead singer Matt Berninger and his younger brother Tom, who had no idea that these short videos he was shooting would turn into a public document of their troubled, if still loving brotherhood.
We talk with Israeli rockers Vaadat Charigim about some of their favorite records.
We talk with Yvonne Ambree and Jesse Barnes of Take Berlin about some of the records which influenced the recording of their debut EP, Lionize.
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